Expresiones artísticas en cerámica escultórica sobre las tradiciones del Ukuku en el Santuario del Señor de Qoyllorit’i
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Date
2025-08-05
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Universidad Nacional de Arte Diego Quispe Tito del Cusco
Abstract
La investigación que se ha realizado sobre la presencia del Ukuku en la fiesta del Señor de Qoyllorit’i, es un acontecimiento religioso que congrega a muchas personas de diferentes partes del mundo, donde este personaje es muy importante porque enaltece dicha actividad, su función principal es la de mantener la disciplina en el Santuario, es un colaborador activo en las danzas y rituales andinos; personaje mitad oso - humano, se ha convertido en un héroe por su valentía, astucia y fuerza, alcanzando batallas con sus oponentes, en las cuales obtiene muchas veces la victoria; todo este sincretismo religioso entre la cultura occidental y andina, se reflejará en este estudio, que se dará a conocer a través de cuatro cerámicas escultóricas, las cuales están elaboradas con técnicas tradicionales y modernas en cerámica. Para el proceso de la investigación, se ha empleado la observación directa de los movimientos y expresiones que realiza el Ukuku en esta fiesta andino-religiosa, que están resumidos en un discurso crítico de cada obra artística, y los análisis se han realizado mediante paradigmas semióticos; por otro lado, el trabajo de investigación permiten interpretar los significados a través de la representación de obras artísticas que fueron plasmados en cerámica escultórica. El propósito del presente estudio es contribuir a que el público adquiera comprensión e interpretación artística, con el fin de fortalecer la identidad cultural de la población cusqueña.
The research that has been conducted on the feast of the Lord of Qoyllorit'i, is a religious event that brings together many people from different parts of the world, where the Ukuku is an important character that exalts this activity, its main function is to maintain discipline in the Sanctuary, an active collaborator in Andean dances and rituals, half bear - human character, has become a hero for his bravery, cunning and strength, reaching battles with his opponents in which he often obtains victory; All this religious syncretism between Western and Andean culture will be known in four sculptural ceramics which are made with traditional and modern techniques in ceramics. The direct observation of the movements and expressions that the Ukuku performs in the Andean festival was used in the research process, these are also summarized in a critical discourse of each artistic work, using semiotic paradigms to interpret their meanings through the representations of artistic works that were embodied in sculptural ceramics, the purpose of this research is to contribute to the public acquiring a valid artistic interpretation in order to strengthen cultural identity today.
The research that has been conducted on the feast of the Lord of Qoyllorit'i, is a religious event that brings together many people from different parts of the world, where the Ukuku is an important character that exalts this activity, its main function is to maintain discipline in the Sanctuary, an active collaborator in Andean dances and rituals, half bear - human character, has become a hero for his bravery, cunning and strength, reaching battles with his opponents in which he often obtains victory; All this religious syncretism between Western and Andean culture will be known in four sculptural ceramics which are made with traditional and modern techniques in ceramics. The direct observation of the movements and expressions that the Ukuku performs in the Andean festival was used in the research process, these are also summarized in a critical discourse of each artistic work, using semiotic paradigms to interpret their meanings through the representations of artistic works that were embodied in sculptural ceramics, the purpose of this research is to contribute to the public acquiring a valid artistic interpretation in order to strengthen cultural identity today.
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Keywords
Ukuko, Tradiciones, Señor de Qoyllorit’i, Cerámica escultórica, Religión andina, Ukuku traditions, Lord of Qoyllorit’i, Sculptural ceramics, Andean religion
