Diseño de estrategias didácticas del teatro y su instrumento de análisis y evaluación en un estudio de caso
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Date
2024-09-26
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Universidad Nacional de Arte Diego Quispe Tito del Cusco
Abstract
El propósito de la presente investigación consistió en la elaboración de estrategias didácticas del teatro y su instrumento de análisis y evaluación en la representación audiovisual de la obra teatral "Conjuros al viento", con el fin de validar los instrumentos semióticos y estéticos para el teatro. La investigación se ha llevado a cabo en un formato de investigación artística descriptivo-interpretativo, con un diseño no experimental, con fuentes de datos en el campo de la investigación y evaluación de los procesos artísticos, y con un enfoque cualitativo en procesos creativos. Se llevó a cabo una muestra de seis personajes de la obra "Conjuros al viento", donde actúa la investigadora Carmita Pinedo Yuyarima, quien es actriz de la Asociación Cultural Ikaro Teatro desde hace 32 años. La obra "Conjuros Al Viento" fue analizada e interpretada a través de los instrumentos de evaluación estética adaptados con el instrumento de (Kowzan,1986) validado por (Lora, 2020) y el instrumento semiótico teatral validado por (Gutiérrez, 1989). A partir de esta investigación, la ESABAC, en la actualidad, UNADQTC, cuenta con dos instrumentos de evaluación en teatro para proyectos de investigación futuros.
This research aimed to design didactic strategies of the theater and its instrument of analysis and evaluation, in the audio-visual representation of the play "Conjuros al viento" to validate semiotic and aesthetic instruments for the theater. The research has been developed in a format of descriptive artistic research – interpretive, with a non-experimental design, with data sources in the research and evaluation of artistic processes and a qualitative focus on creative processes. It was made with a sample of 6 characters from the play "Conjuros al viento" where the researcher Carmita Pinedo Yuyarima acts, who has been an Ikaro Teatro Cultural Association actress for 32 years. Each scene and characters of the visual audio of the work "Conjuros Al Viento" were analyzed and interpreted through the instruments of aesthetic evaluation adapted with the instrument of (Kowzan, 1986) valid by (Lora, 2020) and the theatrical semiotic instrument validated by (Gutiérrez, 1989). From this research the ESABAC today UNADQT has 2 evaluation instruments in theater for future research work.
This research aimed to design didactic strategies of the theater and its instrument of analysis and evaluation, in the audio-visual representation of the play "Conjuros al viento" to validate semiotic and aesthetic instruments for the theater. The research has been developed in a format of descriptive artistic research – interpretive, with a non-experimental design, with data sources in the research and evaluation of artistic processes and a qualitative focus on creative processes. It was made with a sample of 6 characters from the play "Conjuros al viento" where the researcher Carmita Pinedo Yuyarima acts, who has been an Ikaro Teatro Cultural Association actress for 32 years. Each scene and characters of the visual audio of the work "Conjuros Al Viento" were analyzed and interpreted through the instruments of aesthetic evaluation adapted with the instrument of (Kowzan, 1986) valid by (Lora, 2020) and the theatrical semiotic instrument validated by (Gutiérrez, 1989). From this research the ESABAC today UNADQT has 2 evaluation instruments in theater for future research work.
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Keywords
Estrategias didácticas e instrumentos de análisis, Evaluación teatral, Didactic strategies and instruments of theatrical analysis, Evaluation
