Conservación-restauración de la estampa iluminada gloria (postrimerías) paraíso celestial, del Convento de la Recoleta–Cusco
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Date
2026-10-21
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Universidad Nacional de Arte Diego Quispe Tito del Cusco
Abstract
Esta investigación fue realizada desde la observación de la obra de arte para determinar los procedimientos técnicos que, cumpliendo los principios teóricos, criterios y convenios admitidos internacionalmente, permitan la conservación y
restauración de la estampa iluminada, titulada Gloria del Convento de la Recoleta de Cusco. Se abordó la investigación desde el enfoque cualitativo por cuanto se dio a conocer las características históricas, artísticas, iconográficas e iconológicas y materiales del objeto de estudio, siguiendo los lineamientos propios del paradigma inductivo. Por su finalidad la investigación realizada es de tipo aplicada porque se plantea como objetivo general la conservación y restauracióndel objeto de estudio. Se determinaron y analizaron la composición y estructura de la estampa iluminada Gloria, identificándose la naturaleza de los distintos materiales – soportes y elementos sustentados – utilizados en suejecución. Fueron analizados los materiales constitutivos documentándolos históricamente. Se ha descrito la iconografía e iconología de la estampa, siguiendo los métodos e instrumentos de valoración ícono simbólica, valoración sintáctica, valoración sintagmática y realizado el estudio de valoración estética. Se analizaron y reconocieron las alteraciones – patologías y lesiones - para seleccionar con criterio crítico las medidas terapéuticas que permitieron su anulación y atenuación como resultados que se adoptaron para su conservación y restauración.
This investigation was carried out from the observation of the work of art to determine the technical procedures that, complying with the theoretical principles, criteria and agreements admitted internationally, allow the conservation and restoration of the Illuminated Print known as Gloria in the Convent of La Recoleta of Cusco. The research was approached from a qualitative view as the historical, artistic, iconographic and iconological and material characteristics of the object of study were made known, following the guidelines of the inductive paradigm. As for its purpose, the research carried out is of an applied type because the conservation and restoration of the object of study is proposed as a general objective. The composition and structure of the illuminated print Gloriawere established and analyzed, identifying the nature of the different materials -supports and supported elements - used in its manufacturing, the constituent materials were analyzed by documenting them historically. The iconography and iconology of the print have been described, following the assessment methods and instruments: symbolic icon, syntactic evaluation, syntagmatic evaluation and the study of aesthetic evaluation. The alterations - pathologies and injuries - were analyzed and recognized to select with critical criteria the therapeutic measures that allowed its nullification and attenuation as results that were adopted for its conservation and restoration.
This investigation was carried out from the observation of the work of art to determine the technical procedures that, complying with the theoretical principles, criteria and agreements admitted internationally, allow the conservation and restoration of the Illuminated Print known as Gloria in the Convent of La Recoleta of Cusco. The research was approached from a qualitative view as the historical, artistic, iconographic and iconological and material characteristics of the object of study were made known, following the guidelines of the inductive paradigm. As for its purpose, the research carried out is of an applied type because the conservation and restoration of the object of study is proposed as a general objective. The composition and structure of the illuminated print Gloriawere established and analyzed, identifying the nature of the different materials -supports and supported elements - used in its manufacturing, the constituent materials were analyzed by documenting them historically. The iconography and iconology of the print have been described, following the assessment methods and instruments: symbolic icon, syntactic evaluation, syntagmatic evaluation and the study of aesthetic evaluation. The alterations - pathologies and injuries - were analyzed and recognized to select with critical criteria the therapeutic measures that allowed its nullification and attenuation as results that were adopted for its conservation and restoration.
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Keywords
Estampa iluminada, Convento de la Recoleta de Cusco, Illuminated print, Convent of La Recoleta of Cusco
