Creación de cerámica contemporánea para que el público aprecie la iconografía inka en la actualidad
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Date
2025-12-12
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Universidad Nacional de Arte Diego Quispe Tito del Cusco
Abstract
Los investigadores con este trabajo de investigación, dan a conocer mediante la creación de varias obras artísticas en cerámica contemporánea sobre la iconografía inka de nuestros antepasados, la cual está expresada en una manifestación plástica a través de la creación artística fundamentada en doce fragmentos diagnósticos de alfarería prehispánica que se hallan en el palacio inka del Kusikancha; para ello, hemos utilizado como métodos de investigación la observación directa de cada uno de los fragmentos, y su respectiva descripción de los motivos morfológicos e iconográficos, lo cual se plasmó a través de la representación del dibujo técnico cerámico, y que fueron posteriormente encaminados a bocetos para realizar la creación de una cerámica moderna; toda esta secuencia de acciones, están resumidos en un discurso crítico a través de la descripción e interpretación de los paradigmas semióticos de cada obra concluida. En la secuencia del trabajo de investigación se analizó doce fragmentos de cerámica diagnóstica con características únicas en color, forma y diseño; hemos recurrido a la iconografía y la iconología; asimismo, al aporte de datos recogidos de trabajos de carácter etno arqueológico, lo cual nos ayudó a entender el mensaje de las expresiones artísticas de nuestros antepasados, estas representaciones artísticas que se encuentran en los fragmentos de cerámica, aún no han sido descritas ni caracterizadas; pero, fue planteada de manera clara y comprensible para que el público adquiera el conocimiento e interpretación del arte andino cerámico de nuestros antepasados.
The researchers will make known through the creation of several artistic works in contemporary ceramics the Inka iconography of our ancestors, which is expressed in a plastic manifestation, artistic creation based on twelve diagnostic fragments of prehispanic pottery of the Inca palace of Kusikancha, for this we have used as research methods the direct observation of each of the fragments for their respective description of the morphological and iconographic motifs which was shaped through the representation of a ceramic technical drawing and these were subsequently routed to sketches to have a clear idea of what we had to do in the creation of a modern pottery; All this sequence of actions is summarized in a critical discourse through the description and interpretation of the semiotic paradigms of each completed work. In the sequence of the research work twelve fragments of diagnostic ceramics with unique characteristics in color, shape and design were analyzed; we have resorted to iconography and iconology; also, to the contribution of data collected from works of an archaeological ethno character, which helped us to understand the message of the artistic expressions of our ancestors, these artistic representations found in the ceramic fragments have not yet been described or characterized; but it was raised in a clear and understandable way for the public to acquire knowledge and interpretation of the Andean ceramic art of our ancestors
The researchers will make known through the creation of several artistic works in contemporary ceramics the Inka iconography of our ancestors, which is expressed in a plastic manifestation, artistic creation based on twelve diagnostic fragments of prehispanic pottery of the Inca palace of Kusikancha, for this we have used as research methods the direct observation of each of the fragments for their respective description of the morphological and iconographic motifs which was shaped through the representation of a ceramic technical drawing and these were subsequently routed to sketches to have a clear idea of what we had to do in the creation of a modern pottery; All this sequence of actions is summarized in a critical discourse through the description and interpretation of the semiotic paradigms of each completed work. In the sequence of the research work twelve fragments of diagnostic ceramics with unique characteristics in color, shape and design were analyzed; we have resorted to iconography and iconology; also, to the contribution of data collected from works of an archaeological ethno character, which helped us to understand the message of the artistic expressions of our ancestors, these artistic representations found in the ceramic fragments have not yet been described or characterized; but it was raised in a clear and understandable way for the public to acquire knowledge and interpretation of the Andean ceramic art of our ancestors
Description
Keywords
Cerámica contemporánea, Alfarería, Fragmento diagnóstico, Prehispánico, Iconografía, Morfología, Arcilla, Dibujo, Boceto, Manifestaciones culturales, Interpretación, Palacio inka del Kusikancha, Contemporary ceramics, Pottery, Diagnostic fragment, Prehispanic, Iconography, MEDICINE::Morphology, cell biology, pathology::Morphology, Clay, Drawing, Sketch, Cultural manifestations, Interpretation, Inka palace of Kusikancha
