Apreciación estética de fragmentos diagnósticos de cerámica del sector de Muyuqmarka - Saqsayhuaman
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Date
2024-10-31
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Universidad Nacional de Arte Diego Quispe Tito del Cusco
Abstract
El investigador puntualiza que en la actualidad no se tiene una información estética en cuanto a morfología e iconografía de doce fragmentos diagnósticos de cerámica del sector de Muyukmarka – Saqsayhuamán, evidencias de las intervenciones arqueológicas, siendo esta cultura material una de las más importantes expresiones artísticas de nuestros antepasados, utiliza como métodos de investigación la observación directa de cada uno de los fragmentos diagnósticos para la descripción de los motivos iconográficos a través de la representación estética, estos están resumidos en un discurso crítico de cada fragmento diagnóstico de cerámica, estos análisis se realizaron mediante el dibujo cerámico a través de la descripción e interpretación de los paradigmas semióticos, de esta manera se interpretaron sus significados a través de la representación y análisis estético que fueron plasmados en su cerámica, se analizó doce fragmentos de cerámica diagnóstica con características únicas en color, forma y diseño, se recurrió a la iconografía y la iconología así como también el aporte de datos recogidos de trabajos de carácter etno arqueológico, que dará a entender al espectador el mensaje de las expresiones artísticas de nuestros antepasados. La representación del diseño iconográfico y morfológico que hasta hoy no ha sido descrita ni caracterizada contribuirá a que el público adquiera un conocimiento e interpretación a partir de un fragmento diagnóstico y así conocer los diseños y la unidad morfo funcional de uso que representaba la cerámica en el pasado.
The researcher says that at present thre is no information aesthetics in terms of morphology and iconography of twelve Diagnostics sector of Muyukmarka – Saqsayhuaman , ceramic fragments evidenced archaeological interventions, as this material culture one of the most important artistic expressions of our ancestors, used as research methods of each diagnostic fragments direct observation for the description of the iconographic motifs through aesthetic representation, these are summarized in a critical discourse of each fragment Diagnostics of ceramic, these analyses were performed using the ceramic drawing through the description and interpretation of the semiotic paradigm, thus interpreted their meanings through the representation and aesthetic analysis that were embodied in its pottery, analyzed 12 ceramic fragments diagnosed with features unique in color, shape and design, resorted to the iconography and iconology as well as also the contribution of data from works of ethno-archaeological character, which give the Viewer to understand the message of the artistic expressions of our ancestors. The representation of the morphological and iconographic designs which until today has not been described and characterized will contribute to the public to acquire a knowledge and interpretation from a differential fragment and well known designs and the unit morph functional for use representing the ceramics in the past.
The researcher says that at present thre is no information aesthetics in terms of morphology and iconography of twelve Diagnostics sector of Muyukmarka – Saqsayhuaman , ceramic fragments evidenced archaeological interventions, as this material culture one of the most important artistic expressions of our ancestors, used as research methods of each diagnostic fragments direct observation for the description of the iconographic motifs through aesthetic representation, these are summarized in a critical discourse of each fragment Diagnostics of ceramic, these analyses were performed using the ceramic drawing through the description and interpretation of the semiotic paradigm, thus interpreted their meanings through the representation and aesthetic analysis that were embodied in its pottery, analyzed 12 ceramic fragments diagnosed with features unique in color, shape and design, resorted to the iconography and iconology as well as also the contribution of data from works of ethno-archaeological character, which give the Viewer to understand the message of the artistic expressions of our ancestors. The representation of the morphological and iconographic designs which until today has not been described and characterized will contribute to the public to acquire a knowledge and interpretation from a differential fragment and well known designs and the unit morph functional for use representing the ceramics in the past.
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Keywords
Cerámica, Fragmento diagnóstico, Iconografía, Morfología, Expresiones estéticas, Dibujo, Interpretación, Muyuqmarka Saqsayhuaman, Fragment Diagnostics, Ceramic, Iconography, MorphAesthetic expressionsology, Drawing, Interpretation
