Apreciación de la producción artística visual del 2012 al 2019, cuyo eje temático es la autorrepresentación
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Fecha
2024-05-24
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Universidad Nacional de Arte Diego Quispe Tito del Cusco
Resumen
La producción artística visual, surge por la necesidad que tiene un
investigador visual de expresarse, pues desarrolla una obra vinculada a su estado de ánimo, formación cognitiva y capacidad comunicativa. La interpretación de las características de la producción artística visual de Delfina Nina Pinchi, que fue realizada de 2012 a 2019 y cuyo eje temático es la autorrepresentación, contribuye con el rescate y generación de información relevante para el ámbito artístico del país y, sobre todo, de la región Cusco; esto debido a que no hay estudios profundos sobre la artista y el tema motivo de dicho trabajo, que sistematiza la información recabada. En cuanto al diseño y metodología de la investigación es cualitativa según su enfoque, es aplicada según su finalidad, es descriptiva y explicativa según su alcance, es no experimental según su diseño y de campo según la fuente de datos. Las técnicas de investigación empleadas fueron la observación y el autoreportaje, y los instrumentos: el diario de campo, la cámara fotográfica y una grabadora de video, así como la valoración semiótica y estética que permitieron valorar los procesos creativos por cada expresión. En el proceso se analizaron los elementos hallados en las obras artísticas pictóricas-objeto de un estudio, donde se reconoció primero a la artista, luego el tema, para posteriormente analizar sus obras, identificando que estas transmiten sentimientos, emociones e información histórica relevante de su creadora y, en ese sentido,
mostrando que en cada una existe un contexto psicológico peculiar que evidencia una auto reafirmación del ser.
The visual artistic production arises from the need of a visual researcher to express herself, as she develops a work linked to her state of mind, cognitive formation and communicative capacity. The interpretation of the characteristics of the visual artistic production of Delfina Nina Pinchi, which was carried out from 2012 to 2019 and whose thematic axis is self representation, contributes with the rescue and generation of relevant information for the artistic field of the country and, above all, of the Cusco region; this because there are no in-depth studies on the artist and the subject matter of this work, which systematizes the information collected. As for the design and methodology of the research, it is qualitative according to its approach, it is applied according to its purpose, it is descriptive and explanatory according to its scope, it is non-experimental according to its design and field research according to the data source. The research techniques used were observation and self-reporting, and the instruments used were: the field diary, the photographic camera and a video recorder, as well as the semiotic and aesthetic evaluation that allowed to assess the creative processes for each expression. In the process, the elements found in the pictorial-object artistic works of a study were analyzed, where first the artist was recognized, then the theme, to later analyze her works, identifying that these transmit feelings, emotions and relevant historical information of their creator and, in that sense, showing that in each one there is a peculiar psychological context that evidences a self reaffirmation of the self.
The visual artistic production arises from the need of a visual researcher to express herself, as she develops a work linked to her state of mind, cognitive formation and communicative capacity. The interpretation of the characteristics of the visual artistic production of Delfina Nina Pinchi, which was carried out from 2012 to 2019 and whose thematic axis is self representation, contributes with the rescue and generation of relevant information for the artistic field of the country and, above all, of the Cusco region; this because there are no in-depth studies on the artist and the subject matter of this work, which systematizes the information collected. As for the design and methodology of the research, it is qualitative according to its approach, it is applied according to its purpose, it is descriptive and explanatory according to its scope, it is non-experimental according to its design and field research according to the data source. The research techniques used were observation and self-reporting, and the instruments used were: the field diary, the photographic camera and a video recorder, as well as the semiotic and aesthetic evaluation that allowed to assess the creative processes for each expression. In the process, the elements found in the pictorial-object artistic works of a study were analyzed, where first the artist was recognized, then the theme, to later analyze her works, identifying that these transmit feelings, emotions and relevant historical information of their creator and, in that sense, showing that in each one there is a peculiar psychological context that evidences a self reaffirmation of the self.
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Palabras clave
Autorrepresentación, Arte contemporáneo, Emoción, Estado psicológico, Self-representation, Contemporary art, Emotion, Psychological state
