Expresión gráfica en serigrafía de la q’eperina del distrito de Quiquijana para recuperar el gran valor cultural en el público
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Date
2025-03-20
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Universidad Nacional de Arte Diego Quispe Tito del Cusco
Abstract
El investigador describe el problema de pérdida de la tradición en nuestra cultura, a través de una propuesta expresada gráficamente en serigrafía sobre la q’eperina del distrito de Quiquijana. Utiliza como métodos de investigación la observación para la descripción de los textiles a través de la representación estética de la manta y la introspección para la interpretación de sus significados. Analiza desde la semiología y la estética las obras, que se resume en un discurso crítico que describe e interpreta cada obra estética. Analiza también el conjunto de obras a través de la descripción e interpretación de los paradigmas semióticos o categorizaciones, así como la relación que existe entre categorías que dialogan con el espectador y ayuda a entender el mensaje de la obra. Se aprecia cómo construye el artista la idea, para poder representar el problema de pérdida de la tradición textil y su efecto en la cultura, dando así a comprender el mensaje que sensibiliza al público en la exposición de grado. Las representaciones de las obras muestran q’eperinas bellas y realistas, teniendo como propósito la creación de conciencia para recuperar el gran valor cultural en el público.
The investigator described the problem of loss of the tradition in our culture, through a proposal expressed graphically in screen printing, the qeperina of the District of Quiquijana, used as research methods observation for the description of textiles through the aesthetic representation of the q'eperina and introspection for the interpretation of their meaning. Consider the semiology and aesthetic works, which is summarized in a critical discourse that describes and interprets each cosmetic work. It also analyzes the set of works, through the description and interpretation of the semiotic paradigm or categorizations, as well as the relationship between categories that dialogue with the audience and helps to understand the message of the work. Seen as the artist builds the idea, to be able to represent the problem of loss of the textile tradition and its effect on culture, so to understand the message that sensitizes the public at the exhibition of degree. Representations of the engravings show q'eperinas beautiful and realistic, are aimed at creating awareness to recover the great cultural value in the public.
The investigator described the problem of loss of the tradition in our culture, through a proposal expressed graphically in screen printing, the qeperina of the District of Quiquijana, used as research methods observation for the description of textiles through the aesthetic representation of the q'eperina and introspection for the interpretation of their meaning. Consider the semiology and aesthetic works, which is summarized in a critical discourse that describes and interprets each cosmetic work. It also analyzes the set of works, through the description and interpretation of the semiotic paradigm or categorizations, as well as the relationship between categories that dialogue with the audience and helps to understand the message of the work. Seen as the artist builds the idea, to be able to represent the problem of loss of the textile tradition and its effect on culture, so to understand the message that sensitizes the public at the exhibition of degree. Representations of the engravings show q'eperinas beautiful and realistic, are aimed at creating awareness to recover the great cultural value in the public.
Description
Keywords
Grabado, Serigrafía, Tradición, Conciencia cultural, Q`eperina, Pallay, Belleza, Realismo
