Producción de una expresión pictórica denominada la orquesta y a través de su interpretación fomentar un cambio ético en la sociedad. Cusco, 2017.
No Thumbnail Available
Date
2025-04-15
Authors
Journal Title
Journal ISSN
Volume Title
Publisher
Universidad Nacional de Arte Diego Quispe Tito del Cusco
Abstract
La interpretación pictórica de la orquesta como expresión artística que caracteriza el escenario de actores del relativismo que no promueven valores para fomentar un cambio ético en la sociedad, es ver más allá de lo que iconográficamente denota, es encontrar características relacionadas con la realidad; por cuanto una obra defiende la idea, promueve la axiología y plasma metáforas de índole histórico local de un lugar y tiempo donde se desarrolla el trabajo. El contenido de la obra revela la puesta en escena de elementos imaginados utilizando componentes de identidad; el hombre cantando, la mujer violinista, la danzarina, el joven violinista, la figura de espaldas, el niño tamborero y figuras fantásticas; elementos que mediante un análisis interpretativo se hacen visibles como parte de un contexto liderado por incultos. La denotación de la obra en conjunto, muestra la sociedad en sus distintas significaciones y en cada uno de sus componentes: la injusticia, la frivolidad, la incultura, el arte, los valores; intencionado a un posible cambio a través del imperio del arte y la cultura. El escenario de esta pintura de vanguardia al proponer un proceso pictórico regulado por leyes de la óptica como por la valoración, establece diferencias entre continente y contenido; para dotar de fundamentación científica cualitativa con prioridad a la subjetividad del artista, mediante el valioso soporte, profundo y entendible de autores como Pasquale Villari Monroe, C. Beardsley, John Hospers Winckelma y otros, (referencias en Cap.II) desde cuyas consideraciones toda imagen toma cuerpo de realidad e inspira sensibilidad de cambio.
The pictorial interpretation of the Orchestra as an artistic expression that characterized the scene of actors of relativism that does not promote values to foster an ethical change in society, is to see beyond what ichnographically denotes, is to find features related to the reality as a work defends the idea, promotes the axiology and plasma metaphors of nature historic local, conditioned by a place and tiempo donde develops the work. The content of the work reveals the staging of elements imagined using components of identity; the man singing, the woman violinist, the dancing, the young violinist, the figure back, tamborero child and fantastic figures; elements that become visible as part of a context led by uneducated interpretativose analysis. The labeling of the work as a whole, shows the society in its different meanings and each of its components: injustice, frivolity, ignorance, art, values, deliberate a possible change throughout the Empire of art and culture. The scenario of this painting of the art by proposing a pictorial process regulated by laws of optics as the assessment, establishes differences between continent and content, to provide a qualitative scientific foundation in priority to the subjective of the artist; through the valuable support, deep and understandable by authors such as Pasquale Villari , Monroe C. Beardsley, John Hospers Winckelma and others, from whose considerations entire image take body of reality and inspires change sensitivity.
The pictorial interpretation of the Orchestra as an artistic expression that characterized the scene of actors of relativism that does not promote values to foster an ethical change in society, is to see beyond what ichnographically denotes, is to find features related to the reality as a work defends the idea, promotes the axiology and plasma metaphors of nature historic local, conditioned by a place and tiempo donde develops the work. The content of the work reveals the staging of elements imagined using components of identity; the man singing, the woman violinist, the dancing, the young violinist, the figure back, tamborero child and fantastic figures; elements that become visible as part of a context led by uneducated interpretativose analysis. The labeling of the work as a whole, shows the society in its different meanings and each of its components: injustice, frivolity, ignorance, art, values, deliberate a possible change throughout the Empire of art and culture. The scenario of this painting of the art by proposing a pictorial process regulated by laws of optics as the assessment, establishes differences between continent and content, to provide a qualitative scientific foundation in priority to the subjective of the artist; through the valuable support, deep and understandable by authors such as Pasquale Villari , Monroe C. Beardsley, John Hospers Winckelma and others, from whose considerations entire image take body of reality and inspires change sensitivity.
Description
Keywords
Arte
