Expresiones estéticas sobre la presencia de la cosmovisión andina en la festividad del Señor de Qoyllorit´i
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Date
2024-10-18
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Universidad Nacional de Arte Diego Quispe Tito del Cusco
Abstract
El presente trabajo de investigación surge a raíz de que un gran grupo de peregrinos que asiste a la festividad del Señor de Qoyllorit´i, tiene cierto desconocimiento de algunas costumbres y rituales propios de la espiritualidad andina
presentes en esa festividad, generándose una tendencia a que estas costumbres se olviden o debiliten en cuanto a su verdadero significado. En tal sentido, los peregrinos que van perdiendo parte de su cosmovisión andina, ya no la inculcan a las futuras generaciones, primando de esta forma la religión cristiana, relegándose la espiritualidad andina que es la base de todas las prácticas y orígenes dentro de esa
festividad. El objetivo primordial de esta investigación es mostrar mediante la representación de expresiones estéticas en técnicas mixtas, los rituales tradicionales practicados durante las festividades del Señor de Qoyllorit´i, a fin de destacar y sensibilizar al peregrino sobre la presencia de la cosmovisión andina dentro de esa festividad e indagar el grado de fe que tiene al respecto. Como parte de la investigación se elaboraron un total de 12 obras artísticas, donde se abordaron temas concernientes a los cultos y costumbres que habitualmente se practican dentro de los rituales propios de esa festividad. Las mencionadas obras han sido exhibidas en la Galería Museo del Banco de la Nación de la ciudad del Cusco.
The present research work arises from the fact that a large group of pilgrims who attend the festivity of the Lord of Qoyllorit'i, have a certain ignorance of some customs and rituals typical of Andean spirituality present in that festivity, generating a tendency to these customs are forgotten or weakened as to their true meaning. In this sense, the pilgrims who are losing part of their Andean worldview, no longer instill it in future generations, thus giving priority to the Christian religion, relegating the Andean spirituality that is the basis of all the practices and origins within that festivity. The primary objective of this research is to show, through the representation of aesthetic expressions in mixed techniques, the traditional rituals practiced during the festivities of the Lord of Qoyllorit'i, in order to highlight and sensitize the pilgrim about the presence of the Andean worldview within that festivity and investigate the degree of faith they have in this regard. As part of the investigation, a total of 12 artistic works were elaborated, where issues concerning the cults and customs that are usually practiced within the rituals of that festivity were addressed. The aforementioned works have been exhibited in the Museum Gallery of the Banco de la Nación in the city of Cusco.
The present research work arises from the fact that a large group of pilgrims who attend the festivity of the Lord of Qoyllorit'i, have a certain ignorance of some customs and rituals typical of Andean spirituality present in that festivity, generating a tendency to these customs are forgotten or weakened as to their true meaning. In this sense, the pilgrims who are losing part of their Andean worldview, no longer instill it in future generations, thus giving priority to the Christian religion, relegating the Andean spirituality that is the basis of all the practices and origins within that festivity. The primary objective of this research is to show, through the representation of aesthetic expressions in mixed techniques, the traditional rituals practiced during the festivities of the Lord of Qoyllorit'i, in order to highlight and sensitize the pilgrim about the presence of the Andean worldview within that festivity and investigate the degree of faith they have in this regard. As part of the investigation, a total of 12 artistic works were elaborated, where issues concerning the cults and customs that are usually practiced within the rituals of that festivity were addressed. The aforementioned works have been exhibited in the Museum Gallery of the Banco de la Nación in the city of Cusco.
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Keywords
Cosmovisión andina, Peregrino, Festividad, Costumbres, Rituales, Espiritualidad, Qoyllorit´i, Sensibilizar, Expresiones artísticas, Andean worldview, Pilgrim, Festivity, Customs, Rituals, Spirituality, Sensitize, Artistic expressions
