Creación pictórica sobre el sincretismo religioso de la peregrinación al Sr. De Qoyllurit´i, para expresarla al público en tendencias contemporáneas
Loading...
Date
2024-08-21
Authors
Journal Title
Journal ISSN
Volume Title
Publisher
Universidad Nacional de Arte Diego Quispe Tito del Cusco
Abstract
El presente trabajo de investigación tuvo como objetivo la creación de 4 obras pictóricas con la temática del sincretismo religioso de la peregrinación al Sr. de Qoyllurit´i, las mismas que fueron fruto de la recopilación gráfica de los elementos simbólicos que pudimos apreciar en las vestimentas de los danzantes, celadores y peregrinos; de igual modo se realizó un estudio bibliográfico de las particularidades de esta peregrinación que se desarrolla a los pies del nevado Qolqepunku. Para la lectura interpretativa de cada obra se utilizó el método iconográfico e iconológico el mismo que consiste en el estudio descriptivo y clasificatorio de los elementos representados en la obra, que se resume en un discurso crítico, asimismo, se profundiza también el conjunto de las obras a través de la descripción e interpretación de distintas categorías, así como la relación entre éstas. con la finalidad lo lograr su entendimiento por parte del público en general. La investigación partió de la teoría que tanto rituales andinos prehispánicos como es el culto a la montaña, la reverencia a la salida del sol y las ofrendas, se fusionan con cultos católicos contemporáneos como la veneración a la figura del Sr. de Qoyllurit´i, la celebración de la misa y los rezos a las cruces. A partir de esta premisa y del interés que genera el sincretismo religioso como una expresión de nuestra identidad. Como conclusión podemos afirmar que la elección de este tema fue positivo por la gran variedad de elementos simbólicos encontrados y sus innumerables posibilidades estéticas.
The objective of this research is create 4 paintings with the theme of religious syncretism of the pilgrimage to Sr. de Qoyllurit'i, the same ones that were the result of the graphic compilation of the symbolic elements that we could appreciate in the clothes of the dancers, guards and pilgrims; in the same way, a bibliographic study was carried out on the peculiarities of this pilgrimage that takes place at the foot of the snowy Qolqepunku. For the interpretive reading of each work, the iconographic and iconological method was used, which consists of the descriptive and classificatory study of the elements represented in the work, which is summarized in a critical discourse, likewise, the set of works is also deepened through the description and interpretation of different categories, as well as the relationship between them. in order to achieve its understanding by the general public. The research starts from the theory that both pre-Hispanic Andean rituals such as mountain worship, reverence at sunrise and offerings, are fused with contemporary Catholic cults such as veneration of the figure of Sr. de Qoyllurit´i, the celebration of the mass and the prayers to the crosses. Based on this premise and the interest generated by religious syncretism as an expression of our identity. As a conclusion we can affirm that the choice of this theme was positive due to the great variety of symbolic elements found and its innumerable aesthetic possibilities.
The objective of this research is create 4 paintings with the theme of religious syncretism of the pilgrimage to Sr. de Qoyllurit'i, the same ones that were the result of the graphic compilation of the symbolic elements that we could appreciate in the clothes of the dancers, guards and pilgrims; in the same way, a bibliographic study was carried out on the peculiarities of this pilgrimage that takes place at the foot of the snowy Qolqepunku. For the interpretive reading of each work, the iconographic and iconological method was used, which consists of the descriptive and classificatory study of the elements represented in the work, which is summarized in a critical discourse, likewise, the set of works is also deepened through the description and interpretation of different categories, as well as the relationship between them. in order to achieve its understanding by the general public. The research starts from the theory that both pre-Hispanic Andean rituals such as mountain worship, reverence at sunrise and offerings, are fused with contemporary Catholic cults such as veneration of the figure of Sr. de Qoyllurit´i, the celebration of the mass and the prayers to the crosses. Based on this premise and the interest generated by religious syncretism as an expression of our identity. As a conclusion we can affirm that the choice of this theme was positive due to the great variety of symbolic elements found and its innumerable aesthetic possibilities.
Description
Keywords
Tesis, Sincretismo, Exposición, Pintura, Acrílico, Thesis, Syncretism, Art exhibition, Painting, Acrylic
