La abundancia y las bondades de la Pachamama expresadas a través de la Cerámica Artística.
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Date
2024-11-22
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Publisher
Universidad Nacional de Arte Diego Quispe Tito del Cusco
Abstract
El presente trabajo de investigación se realizó con el objetivo de contribuir en la revaloración de la identidad cultural a través de las prácticas ancestrales de la cosmovisión andina por los pob1adores originarios de1 Perú, ellos rendían culto a los dioses del Hanan Pacha, Kay Pacha y Ukhu Pacha, pues la tierra para los andinos tiene relación con la unidad del mundo. Se concibe la tierra como algo vital, con dinamismo y fuerzas que holísticamente configuran y sinergízan todo cuanto existe. Debido a ello y a las bondades que nos ofrece la Pachamama, los pobladores realizan sus ofrendas rituales en reciprocidad a la madre tierra, porque nos cobija, alimenta, brinda el agua y ser medio de subsistencia de la agricultura, las siembras y las cosechas. El ritual más importante hacia la Pachamama es la “ofrenda”, porque gracias a ello la madre tierra nos brinda los frutos más generosos del cual nos llenará de satisfacciones personales de abundancia y prosperidad para lograr una mejor calidad de vida. Así la cerámica artística nos permite lograr la atención y/o sorprender al espectador, con piezas cerámicas en sus tres dimensiones como es; la Pachamama, Nuestros Antepasados, la Ofrenda, El Cesto de la Abundancia, Las bondades de la Pachamama, El árbol de la abundancia, Plagas en la agricultura, etc, todo ello expresadas a través de la Cerámica Artística como temática para revalorar la importancia de la continuidad sustancial en la identidad de las culturas tradicionales que permiten una cohesión social poniendo en práctica la cosmovisión andina, es decir que la naturaleza, el hombre y la Pachamama son un todo que viven relacionados perpetuamente. Finalmente, la cerámica artística nos permite plasmar y expresar la abundancia y las bondades de la Pachamama aplicando las diversas técnicas plásticas a través de la imaginación y la creatividad.
This research work was carried out with the objective of contributing to the revaluation of cultural identity through the ancestral practices of the Andean cosmovision by the original inhabitants of Peru, they worshiped the gods of Hanan Pacha, Kay Pacha and Ukhu Pacha, because the land for the Andeans is related to the unity of the world. The earth is conceived as something vital, with dynamism and forces that holistically configure and synergize everything that exists. Due to this and the kindness that the Pachamama offers us, the settlers make their ritual offerings in reciprocity to the mother earth, because it shelters us, feeds, provides water and is a means of subsistence for agriculture, plantings and harvests. The most important ritual towards the Pachamama is the "offering", because thanks to it Mother Earth gives us the most generous fruits of which she will fill us with personal satisfactions of abundance and prosperity to achieve a better quality of life. Thus, artistic ceramics allow us to achieve attention and / or surprise the spectator, with ceramic pieces in their three dimensions as is; the Pachamama, our ancestors, the offering, the basket of abundance, the benefits of the Pachamama, the tree of abundance, pests in agriculture, etc, all expressed through the artistic ceramics as a theme to reassess the importance of the substantial continuity in the identity of the traditional cultures that allow a social cohesion putting into practice the Andean cosmovision, that is to say that the nature, the man and the Pachamama are a whole that live perpetually related. Finally, artistic ceramics allow us to capture and express the abundance and goodness of the Pachamama by applying the various plastic techniques through imagination and creativity.
This research work was carried out with the objective of contributing to the revaluation of cultural identity through the ancestral practices of the Andean cosmovision by the original inhabitants of Peru, they worshiped the gods of Hanan Pacha, Kay Pacha and Ukhu Pacha, because the land for the Andeans is related to the unity of the world. The earth is conceived as something vital, with dynamism and forces that holistically configure and synergize everything that exists. Due to this and the kindness that the Pachamama offers us, the settlers make their ritual offerings in reciprocity to the mother earth, because it shelters us, feeds, provides water and is a means of subsistence for agriculture, plantings and harvests. The most important ritual towards the Pachamama is the "offering", because thanks to it Mother Earth gives us the most generous fruits of which she will fill us with personal satisfactions of abundance and prosperity to achieve a better quality of life. Thus, artistic ceramics allow us to achieve attention and / or surprise the spectator, with ceramic pieces in their three dimensions as is; the Pachamama, our ancestors, the offering, the basket of abundance, the benefits of the Pachamama, the tree of abundance, pests in agriculture, etc, all expressed through the artistic ceramics as a theme to reassess the importance of the substantial continuity in the identity of the traditional cultures that allow a social cohesion putting into practice the Andean cosmovision, that is to say that the nature, the man and the Pachamama are a whole that live perpetually related. Finally, artistic ceramics allow us to capture and express the abundance and goodness of the Pachamama by applying the various plastic techniques through imagination and creativity.
Description
Keywords
Pachamama, Abundancia, Paqo, Ofrenda, Ritual, Cosmovisión andina, Cerámica artística, Técnicas, Abundance, Offering, Andean cosmovision, Artistic ceramics, Techniques
