Creación de obras pictóricas en técnica mixta para que la sociedad valore y se identifique con la herencia artística que nos dejaron las culturas preíncas
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Date
2022-12-14
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Universidad Nacional de Arte Diego Quispe Tito del Cusco
Abstract
El investigador describe el problema del poco aprecio y valor que se le da al arte preínca del Perú pues no se evidencia el conocimiento de estas culturas dando como resultado la poca difusión de las grandes culturas preíncas del Perú, es por eso que nace este proyecto para resaltar a nuestras culturas primigenias a través de la investigación de la iconografía preínca y la realización de obras pictóricas de abstracción geométrica en una propuesta propia del investigador en cuanto al estilo y manejo de la técnica. Se utiliza como método de investigación los procesos creativos por expresión, analiza también el conjunto de obras a través de la descripción e interpretación de los paradigmas semióticos o categorizaciones, así como la relación que existe entre categorías que dialogan con el espectador y ayuda a entender el mensaje de la obra. Se reconoce como el artista elabora el proyecto para sensibilizar acerca del poco valor que le hemos dado a nuestras culturas preíncas y cómo podemos valorarla a través del arte y que en este caso el artista visual lo expresa a través de una exposición pictórica de grado. Las representaciones de los cuadros muestran una reinterpretación de la iconografía de las culturas preíncas (Chimú, Mochica, Nazca, Chavín y Paracas) y tienen como propósito motivar al público espectador acerca de nuestra herencia artística para inquietarlo a conocer e identificarse con nuestras culturas preíncas.
The researcher describes the problem of the little appreciation and value that is given to the pre-Inca art of Peru because the knowledge of these cultures is not evidenced, resulting in the little diffusion of the great pre-Inca cultures of Peru, that is why this project was born to highlight our primitive cultures through the investigation of pre-Inca iconography and the realization of pictorial works of geometric abstraction in a researcher's own proposal in terms of style and technique management. Creative processes by expression are used as a research method, it also analyzes the set of works through the description and interpretation of semiotic paradigms or categorizations, as well as the relationship that exists between categories that dialogue with the viewer and help to understand the work message. It is recognized how the artist elaborates the project to raise awareness about the little value that we have given to our pre-Inca cultures and how we can value it through art and that in this case the visual artist expresses it through a pictorial exhibition of degree. The representations of the paintings show a reinterpretation of the iconography of the pre-Inca cultures (Chimú, Mochica, Nazca, Chavín and Paracas) and have the purpose of motivating the viewing public about our artistic heritage to make them discover and identify with our pre-Inca cultures.
The researcher describes the problem of the little appreciation and value that is given to the pre-Inca art of Peru because the knowledge of these cultures is not evidenced, resulting in the little diffusion of the great pre-Inca cultures of Peru, that is why this project was born to highlight our primitive cultures through the investigation of pre-Inca iconography and the realization of pictorial works of geometric abstraction in a researcher's own proposal in terms of style and technique management. Creative processes by expression are used as a research method, it also analyzes the set of works through the description and interpretation of semiotic paradigms or categorizations, as well as the relationship that exists between categories that dialogue with the viewer and help to understand the work message. It is recognized how the artist elaborates the project to raise awareness about the little value that we have given to our pre-Inca cultures and how we can value it through art and that in this case the visual artist expresses it through a pictorial exhibition of degree. The representations of the paintings show a reinterpretation of the iconography of the pre-Inca cultures (Chimú, Mochica, Nazca, Chavín and Paracas) and have the purpose of motivating the viewing public about our artistic heritage to make them discover and identify with our pre-Inca cultures.
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Keywords
Arte contemporáneo, Abstracto, Abstracto geométrico, Belleza, Técnica mixta, Identidad cultural, Culturas preíncas, Contemporary art, Abstract, Geometric abstract, Beauty, Mixed, Technique, Cultural identity, Pre-Inca cultures
