Apreciación de la obra pictórica del artista Adolfo Sardón Abarca y su aporte a la plástica contemporánea
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Date
2025-04-24
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Universidad Nacional de Arte Diego Quispe Tito del Cusco
Abstract
El presente trabajo de investigación se desarrolló bajo el título “Apreciación de la obra pictórica del artista Adolfo Sardón Abarca y su aporte a la plástica contemporánea”, se han seleccionado diez obras que permitirán analizar y
apreciar los valores estéticos y el contenido semiótico de las pinturas y conocer el valor artístico en la plástica contemporánea a través de los vínculos historiográficos con el costumbrismo para establecer una línea de tiempo en la
plástica contemporánea peruana. Dicha investigación está planteada desde las artes, en procesos creativos por apreciación con un enfoque cualitativo, considerando los métodos de investigación enmarcados en los niveles descriptivo,
interpretativo y explicativo. La conclusión más pertinente de esta investigación es el aporte a la plástica contemporánea cusqueña.
The present research work was developed under the title “Appreciation of the Pictorial Work of the Artist Adolfo Sardón Abarca and His Contribution to Contemporary Plastic Arts.” Ten works have been selected to analyze and appreciate the aesthetic values and semiotic content of the paintings and to comprehend their artistic significance in contemporary plastic arts through historiographical connections with costumbrismo, thus establishing a timeline in contemporary Peruvian plastic arts. This research is proposed from the arts, in creative processes through appreciation with a qualitative approach, considering the research methods framed at the descriptive, interpretive, and explanatory levels. The most pertinent conclusion of this research is its contribution to contemporary Cusco plastic arts
The present research work was developed under the title “Appreciation of the Pictorial Work of the Artist Adolfo Sardón Abarca and His Contribution to Contemporary Plastic Arts.” Ten works have been selected to analyze and appreciate the aesthetic values and semiotic content of the paintings and to comprehend their artistic significance in contemporary plastic arts through historiographical connections with costumbrismo, thus establishing a timeline in contemporary Peruvian plastic arts. This research is proposed from the arts, in creative processes through appreciation with a qualitative approach, considering the research methods framed at the descriptive, interpretive, and explanatory levels. The most pertinent conclusion of this research is its contribution to contemporary Cusco plastic arts
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Keywords
Pintura, Costumbrismo, Tierras de color, Painting, Colored Lands
