Producción Plástica para sensibilizar al cusqueño sobre la necesidad de vivir con valores en Cusco
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Date
2024-08-22
Authors
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Publisher
Universidad Nacional de Arte Diego Quispe Tito del Cusco
Abstract
En esta investigación describo el problema de la corrupción y la necesidad de vivir con valores a través de una propuesta artística pictórica y performática, utilizando como métodos de investigación: la observación para la descripción del escenario, a través de la representación estética del retrato de algunos personajes más conocidos en la política peruana por corruptos y la introspección para la interpretación de los paradigmas semióticos o categorizaciones, así como la relación que existe entre categorías que dialogan con el espectador y ayuda a entender el mensaje mediante un acto performático que complementa la obra con el espectador, en una intervención urbana convirtiéndolo en parte de la obra. En la investigación se aprecia como construyo la idea, para poder representar el problema de la corrupción y su efecto en la sociedad dando así, a entender el mensaje que sensibiliza al público sobre la necesidad de vivir con valores en la exposición de grado. Las representaciones de los retratados en las obras, expuestos en el piso en la intervención urbana y la invitación al espectador a pasar sobre ellas y dejarlos marcados como un castigo simbólico en un acto performático, tienen como propósito crear conciencia en la población motivándola a vivir con valores en una sociedad en la que el corrupto es el vivo y el correcto el bobo y esta tan normalizado que debemos cambiar esa actitud.
In this work I describe the problem of corruption and the need to live with values through a pictorial and performative artistic proposal. I use as research methods of observation for the description of the scene, through the aesthetic representation of the portrait of some well-known characters in Peruvian politics as corrupt. And the introspection for the interpretation of semiotic paradigms or categorizations, as well as the relationship that exists between the categories that communicate with the viewer, it helps them understand the message through a performative act that complements the work with the viewer in an urban intervention, making them part of the work. It is appreciated how I can construct the idea, in order to represent the problem of corruption and its effect on society. At the performance was carried out where the people were able to walk on the portraits. This left the portraits marked as a symbolic punishment. The purpose of this act is to create awareness in the population, motivating them to live with values in a society in which the corrupt is the best one and the correct is the fool and is so normalized that we must change that attitude.
In this work I describe the problem of corruption and the need to live with values through a pictorial and performative artistic proposal. I use as research methods of observation for the description of the scene, through the aesthetic representation of the portrait of some well-known characters in Peruvian politics as corrupt. And the introspection for the interpretation of semiotic paradigms or categorizations, as well as the relationship that exists between the categories that communicate with the viewer, it helps them understand the message through a performative act that complements the work with the viewer in an urban intervention, making them part of the work. It is appreciated how I can construct the idea, in order to represent the problem of corruption and its effect on society. At the performance was carried out where the people were able to walk on the portraits. This left the portraits marked as a symbolic punishment. The purpose of this act is to create awareness in the population, motivating them to live with values in a society in which the corrupt is the best one and the correct is the fool and is so normalized that we must change that attitude.
Description
Keywords
Performance, Corrupción, Retrato, Valores morales, Castigo, Corruption, Portraiture, Moral Values, Punishment